Cet album n'est pas certainement le premier de sa carrière, nous voulons rappeler d'albums comme
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Les 186 chansons qui composent l'album ce sont les suivantes:
Voici une petite liste de chansons que Percy Bysshe Shelley pourrait décider de chanter, y compris l'album dont chaque chanson est tirée:
- On Death
- Song To The Men Of England
- The Boat On The Serchio
- To William Shelley II
- Fragment: Love's Tender Atmosphere
- To William Shelley
- Fragment Of A Satire On Satire
- A Summer Evening Churchyard
- Fragment: The False Laurel And The True
- Fragment: Sufficient Unto The Day
- Music
- Fragment: ‘The Death Knell Is Ringing'
- Ode to the West Wind
- Time
- A Vision Of The Sea
- Ode To Naples (Antistrophe 2b)
- An Exhortation
- Lines Written During The Castlereagh Administration
- Sonnet: Political Greatness
- Fragment: Wedded Souls
- The Sensitive Plant Part II
- Death
- Lines Written Among The Euganean Hills
- The Woodman And The Nightingale
- A Lament
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- Lines: ‘When The Lamp Is Shattered'
- Scene From ‘Tasso'
- Summer And Winter
- Fragment: The Vine-Shroud
- Fragment: ‘The Rude Wind Is Singing'
- To Mary Shelley
- Ode To Naples (Strophe 2)
- Mutability II (The flower that smiles today...)
- The Question
- Fragment: Zephyrus The Awakener
- Another Fragment: To Music
- Variation Of The Song Of The Moon
- Fragment: ‘My Head Is Wild With Weeping'
- Fragment: Milton's Spirit
- To Mary Wollstonecraft Godwin
- Epitaph
- On Fanny Godwin
- Sonnet To Byron
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- The Tower Of Famine
- ‘O That A Chariot Of Cloud Were Mine'
- Fragment: The Lake's Margin
- To Jane: The Invitation
- The Two Spirits: An Allegory
- Stanzas Written In Dejection, Near Naples
- Lines Written In The Bay Of Lerici
- Orpheus
- Ode To Naples (Antistrophe 1b)
- The Fugitives
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- The Isle
- Fragment: Satan Broken Loose
- Fragment: Death In Life
- Sonnet (Lift not the painted veil...)
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- The Zucca
- Fragment: To Byron
- Fragment: To The People Of England
- The Sensitive Plant Part I
- Love's Philosophy
- Lines: ‘That Time is Dead For Ever'
- Ginevra
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Ode To Liberty
- Fragment: ‘Follow To The Deep Wood's Weeds'
- To-Morrow
- ‘Mighty Eagle'
- Fragments Written For Hellas
- Song
- Otho
- Ode To Naples (Antistrophe 2a)
- Hymn Of Pan
- Lines To A Critic
- Mutability
- The Magnetic Lady To Her Patient
- Fragment: May The Limner
- Hymn To Intellectual Beauty
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- The Sunset
- To A Skylark
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- To The Lord Chancellor
- A Fragment: To Music
- Ode To Naples (Epode 2a)
- Fragment: “Amor Aeternus'
- Arethusa
- The Pine Forest Of The Cascine Near Pisa
- Fragment: Music And Sweet Poetry
- The Sensitive Plant Part III
- Cancelled Passage
- Fragment: “Igniculus Desiderii'
- Cancelled Stanza
- Autumn: A Dirge
- To Sophia
- Fiordispina
- Lines Written On Hearing The News Of The Death Of Napoleon
- To Constantia, Singing
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- Fragment: ‘I Faint, I Perish With My Love!'
- To Jane: ‘The Keen Stars Were Twinkling'
- Fragment: Life Rounded With Sleep
- Good-Night
- Fragment: ‘The Viewless And Invisible Consequence'
- To The Moon
- Ode To Naples (Antistrophe 1a)
- Marianne's Dream
- Ode To Naples (Epode 1b)
- Buona Notte
- The Past
- Hymn Of Apollo
- Lines: ‘We Meet Not As We Parted'
- To Harriet
- Fragment: ‘O Thou Immortal Deity'
- Song For ‘Tasso'
- Fragment: To The Moon
- Stanzas.—April, 1814
- Ozymandias
- Epithalamium
- Fragment: Apostrophe To Silence
- To Constantia
- To William Shelley III
- Love, Hope, Desire, And Fear
- Passage Of The Apennines
- Ode To Naples (Epode 2b)
- Fragment: To One Singing
- Fragments Supposed To Be Parts Of Otho
- An Allegory
- Time Long Past
- Fragment: To The Mind Of Man
- Ode To Naples (Strophe 1)
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- To Mary Shelley II
- Marenghi
- Fragment: A Wanderer
- Liberty
- Fragment: Home
- On A Faded Violet
- The Birth Of Pleasure
- A Hate-Song
- With A Guitar, To Jane
- The World's Wanderers
- Fragment On Keats
- Fragment: Love The Universe To-Day
- Fragment: ‘When Soft Winds And Sunny Skies'
- Remembrance
- Stanza, Written At Bracknell
- To Edward Williams
- Ode To Naples (Epode 1a)
- Fragment: Thoughts Come And Go In Solitude
- Dirge For The Year
- To Jane: The Recollection
- From The Arabic: An Imitation
- Stanzas 1 And 2
- Fragment: Rain
- Fragment: Beauty's Halo
- Fragment: Pater Omnipotens
- From The Original Draft Of The Poem To William Shelley
- The Aziola
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- National Anthem
- Similes For Two Political Characters Of 1819
- Lines To A Reviewer
- Lines: ‘The Cold Earth Slept Below'
- Fragment: ‘I Would Not Be A King'
- To Mary —
- To The Nile
- Fragment: The Deserts Of Dim Sleep
- The Cloud
- The Indian Serenade
- Fragment: The Lady Of The South
- To Emilia Viviani
- To —.' Yet Look On Me.'
- Fragment: To A Friend Released From Prison
- Fragment: ‘Great Spirit'
- Fragment: A Serpent-Face
- The Waning Moon
- To —. ‘Oh! There are Spirits of The Air'
- Evening: Ponte Al Mare, Pisa
- Invocation To Misery
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