Cet album n'est pas certainement le premier de sa carrière, nous voulons rappeler d'albums comme
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Les 186 chansons qui composent l'album ce sont les suivantes:
Voici une petite liste de chansons que Percy Bysshe Shelley pourrait décider de chanter, y compris l'album dont chaque chanson est tirée:
- On Death
- To William Shelley II
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- To —. ‘Oh! There are Spirits of The Air'
- The Aziola
- Fragment: A Wanderer
- A Summer Evening Churchyard
- Marianne's Dream
- The Question
- The Sensitive Plant Part I
- Lines Written In The Bay Of Lerici
- The Sensitive Plant Part II
- Fiordispina
- Remembrance
- The Boat On The Serchio
- Sonnet: Political Greatness
- Fragment: ‘I Would Not Be A King'
- Ode To Naples (Strophe 1)
- Marenghi
- Fragment: The Deserts Of Dim Sleep
- Fragment: Wedded Souls
- Ode To Naples (Epode 1b)
- Fragment: To The Mind Of Man
- Love's Philosophy
- Fragment: Apostrophe To Silence
- Fragment: The False Laurel And The True
- Ode To Naples (Epode 1a)
- National Anthem
- Cancelled Passage
- To The Nile
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- Fragment: A Serpent-Face
- Fragment: The Lady Of The South
- To Mary Wollstonecraft Godwin
- Fragment: To The People Of England
- To Constantia
- Ode to the West Wind
- Fragment: ‘My Head Is Wild With Weeping'
- On A Faded Violet
- Dirge For The Year
- Song
- To-Morrow
- The Sensitive Plant Part III
- To Constantia, Singing
- Fragment: ‘The Death Knell Is Ringing'
- The Waning Moon
- Similes For Two Political Characters Of 1819
- Good-Night
- Fragment: ‘When Soft Winds And Sunny Skies'
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- The World's Wanderers
- Scene From ‘Tasso'
- Time Long Past
- Autumn: A Dirge
- To William Shelley
- Fragment: Satan Broken Loose
- The Zucca
- A Fragment: To Music
- Epithalamium
- A Hate-Song
- Hymn To Intellectual Beauty
- To Mary Shelley II
- Fragment: To A Friend Released From Prison
- Lines: ‘When The Lamp Is Shattered'
- Fragment: ‘I Faint, I Perish With My Love!'
- To The Moon
- Fragment: Milton's Spirit
- To Harriet
- Lines: ‘That Time is Dead For Ever'
- The Indian Serenade
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Lines Written During The Castlereagh Administration
- Ode To Naples (Epode 2b)
- The Pine Forest Of The Cascine Near Pisa
- Fragment: The Vine-Shroud
- Variation Of The Song Of The Moon
- With A Guitar, To Jane
- Cancelled Stanza
- Passage Of The Apennines
- Invocation To Misery
- Mutability II (The flower that smiles today...)
- ‘O That A Chariot Of Cloud Were Mine'
- Ozymandias
- Fragment: “Igniculus Desiderii'
- Fragment: “Amor Aeternus'
- Fragment: To The Moon
- Lines Written On Hearing The News Of The Death Of Napoleon
- Fragment: Life Rounded With Sleep
- Buona Notte
- To Jane: The Recollection
- The Birth Of Pleasure
- An Exhortation
- Song For ‘Tasso'
- Ode To Naples (Antistrophe 2a)
- Fragment: The Lake's Margin
- Fragment: Beauty's Halo
- Another Fragment: To Music
- The Isle
- From The Arabic: An Imitation
- The Fugitives
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- To The Lord Chancellor
- The Woodman And The Nightingale
- The Tower Of Famine
- Stanzas Written In Dejection, Near Naples
- Fragment Of A Satire On Satire
- Ode To Naples (Antistrophe 1a)
- Lines Written Among The Euganean Hills
- Death
- Fragment: ‘Follow To The Deep Wood's Weeds'
- The Two Spirits: An Allegory
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- The Past
- Fragments Supposed To Be Parts Of Otho
- Fragment: ‘O Thou Immortal Deity'
- Time
- Fragment: Music And Sweet Poetry
- The Magnetic Lady To Her Patient
- Music
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Fragment: ‘Great Spirit'
- Lines To A Critic
- Song To The Men Of England
- Summer And Winter
- The Cloud
- To Sophia
- On Fanny Godwin
- To Jane: The Invitation
- Fragment: ‘The Viewless And Invisible Consequence'
- From The Original Draft Of The Poem To William Shelley
- Fragment: To Byron
- Orpheus
- Mutability
- Epitaph
- Fragment: Death In Life
- Ode To Naples (Antistrophe 2b)
- Lines: ‘We Meet Not As We Parted'
- Fragment: Love The Universe To-Day
- Love, Hope, Desire, And Fear
- Fragment: Rain
- Ode To Naples (Strophe 2)
- To A Skylark
- Fragment: May The Limner
- An Allegory
- Fragment: Pater Omnipotens
- Sonnet (Lift not the painted veil...)
- To Mary —
- Stanzas.—April, 1814
- A Lament
- ‘Mighty Eagle'
- To Emilia Viviani
- Ginevra
- To —.' Yet Look On Me.'
- Fragment On Keats
- Ode To Liberty
- To Mary Shelley
- To Jane: ‘The Keen Stars Were Twinkling'
- The Sunset
- Fragment: Zephyrus The Awakener
- Ode To Naples (Antistrophe 1b)
- Lines To A Reviewer
- Otho
- A Vision Of The Sea
- Fragments Written For Hellas
- Fragment: ‘The Rude Wind Is Singing'
- Arethusa
- Ode To Naples (Epode 2a)
- To Edward Williams
- Fragment: Sufficient Unto The Day
- Evening: Ponte Al Mare, Pisa
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- Stanza, Written At Bracknell
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna
- Liberty
- Fragment: Thoughts Come And Go In Solitude
- Sonnet To Byron
- Hymn Of Apollo
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- Fragment: To One Singing
- Stanzas 1 And 2
- Fragment: Love's Tender Atmosphere
- To William Shelley III
- Lines: ‘The Cold Earth Slept Below'
- Hymn Of Pan
- Fragment: Home
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